what is media theory

Media dependency theory, a systematic approach to the study of the effects of mass media on audiences and of the interactions between media, audiences, and social systems. Symbols can be constructed from just about anything, including material goods, education, or even the way people talk. For Shields, media needs theory to understand the “layered, stratified and mediated world of many (local and global) scales, contending histories and futures that haunt our present as anxieties”. The urgent need to develop new theories and concepts to keep up with rapid technological and social change has always been an important rationale for media theory. Media effects include theories that explain how the mass media influence the attitudes and perceptions of audience members. It posits that communication will be enhanced when the synchronicity a given medium can support appropriately matches the synchronicity that a communicati… Beyond the unambitious and yet impossible task of simply defining, listing and counting all these different potential types of media, or asking when and how something becomes media, Mitchell argues that the task of media theory is to provide an ‘account of such counting’; of the ways in which we have theorised media, as much as a theory of media itself. The media richness theory states that media has the ability to transmit needed information. You may assume the person is successful or powerful because of the car he or she is driving. Under this theory, the issues that receive the most attention from media become the issues that the public discusses, debates, and demands action on. Within this is a type of theory called `normative theory’, which is concerned with what the media ought to be doing in society rather than what they actually do. In many of the most well-established (and often commercially published) media journals, the theoretical element of individual articles is often restricted to the opening literature review section of peer-reviewed, empirical ‘research’ articles, while articles that are devoted to theoretical engagement and close reading of theoretical texts are demoted to un-peer-reviewed ‘commentary’ sections. This theory suggests that media texts are closed and audiences are influenced in the same way. The spiral of silence theory, which states that those who hold a minority opinion silence themselves to prevent social isolation, explains the role of mass media in the formation and maintenance of dominant opinions. The task becomes, therefore, one of developing techniques and tactics to assist our political and subjective orientation in worlds of algorithmic governance and data economies. The media is a successful carrier of ideology because it reaches such a huge audience. Many of the theories discussed in this section were developed decades ago. Jansson-Boyd, Catherine. The government undertakes the total media and … People Media ( Media and Information Literacy for Grade 11) Reah_dulana. Soviet media theory is imitative of Leninist principles which based on the Carl Marx and Engel’s ideology. the … Papacharissi, Zizi. Taking issue with the ‘comparing media systems’ and ‘media/communication and development’ approaches, as well as the more recent emphasis on ‘dewesternising media studies’, Shome argues that they tend to position Southern media (studies) in opposition to those in an invisible North/West. Uses and gratifications theories of media are often applied to contemporary media issues. National and state flags, religious images, and celebrities gain shared symbolic meanings through their representation in the media. Despite his lack of scholarly diligence, McLuhan had a great deal of influence on media studies. Infinite, indefinite (Mitchell, this issue) and ‘intrinsically plural as object’ (Cubitt, this issue), there is nevertheless always something outside media – the unmediated, the immediate, the presentation as opposed to the representation (Mitchell, this issue). selection motives. The media logic theory states that common media formats and styles serve as a means of perceiving the world. Roland Barthes semiology theory - signifiers and signifieds. More recently, coverage of natural disasters has been prominent in the news. David Altheide and Robert Snow, Media Worlds in the Postjournalism Era (New York: Walter de Gruyter, 1991), 9–11. Responding to transformations in, and the increasing imbrication of, media technologies and society is often presented as the study of ‘media and society’, where ‘society’ could mean ‘anything else’, and where any theoretical engagement is with a separate body of (non-media-centric) knowledge developed within other disciplines. Under this theory, someone who watches a great deal of television may form a picture of reality that does not correspond to actual life. Media scholars are much more numerous now than they were during the 1960s, and many of these scholars criticize McLuhan’s lack of methodology and theoretical framework. Media logic and cultivation analysis theories deal with how media consumers’ perceptions of reality can be influenced by media messages. Media Theory is not, therefore, a journal that privileges any particular theoretical approach, perspective or tradition to the study of media, but nor is it simply a matter of disinterestedly presenting their diversity or that of the range of theoretical concepts or tools proposed or applied in media research. The Internet and its accompanying cultural revolution have made McLuhan’s bold utopian visions seem like prophecies. The study of the media allows us to consider and question dominant ideologies and look for the implications of different ideology and value systems. 2.2 Media Effects Theories Agenda-Setting Theory. His supporters point to the hopes and achievements of digital technology and the utopian state that such innovations promise. The modern televangelist has evolved from the adoption of television-style promotion by religious figures, while the utilization of television in political campaigns has led candidates to consider their physical image as an important part of a campaign (Altheide & Snow, 1991). First, this entry touches on the history of media effects. The Portable Hannah Arendt, London: Penguin Books. Media theory refers to the complex of social-political-philosophical principles which organize ideas about the relationship between media and society. For example, the socially stabilizing influences of family and peer groups influence children’s television viewing and the way they process media messages. The Hypodermic Needle theory is a linear communication theory which suggests that a media message is injected directly into the brain of a passive, homogenous audience. Arguing that new concepts are needed to perceive and think in a highly techno-mediated world, to “think computation precisely as a problem; as a problem in need of relevant concepts”, Fazi argues that media theory is only an abstraction in the Whiteheadian sense that experience is always-already abstract, and that to abstract is not, therefore, to move away from the real, but rather “to construct it in terms of its actuality”. Although all the authors who submitted articles to this inaugural issue were asked to provide manifestos on what they would want a journal on media theory to be and do, the following were written very much in the style or spirit of a manifesto. In suggesting these concepts, he draws out the significance of recent developments in this complex technological field not just for media theory and digital humanities, but for social theory and human attention too. McLuhan spoke of a media-inspired “global village” at a time when Cold War paranoia was at its peak and the Vietnam War was a hotly debated subject. Situating the ‘end of theory’ discourse in the historical context of long-standing critiques of rationalism and logocentrism, and drawing on Jameson’s distinction between theory and philosophy, as well as Horkheimer’s distinction between traditional and critical theory, Fazi focuses on the importance of abstraction, conceptualisation and problematisation to both (media) theory and (media) philosophy. The journal will endeavour to encourage the Marxists as well as the Foucauldians, the media historians as well as the media archaeologists, those who follow in the footsteps of Williams as well as those who stand on the shoulders of McLuhan, and those from within the British cultural and media studies tradition as well as those within German cultural techniques and media theory, to write as much for each other as for the already converted, resisting the temptation to settle for the journal becoming an echo chamber for any one approach. Segmentation of audiences by the media. In the meantime, we hope you enjoy the ‘Manifestos’ issue. Within this is a type of theory called `normative theory', which is concerned with what the media ought to be doing in society rather than what they actually do. Do you think these theories are still relevant for modern mass media? Developed by Ball-Rokeach and DeFluer; Key Idea: Audiences depend on media information to meet needs and reach goals. Simon Dawes introduces the inaugural issue of Media Theory: our special issue of ‘Manifestos’ (1/1). In his article, ‘Imagination and Literary Media Theory’, Young laments the waning importance of literary studies (in favour of communication studies and anthropology) to media theory, reminding us that imagination – as object as well as method – has been an “engine” that has driven media theoretical debates over the past sixty years or so. Synchronicity is defined as a “state in which individuals are working together at the same time with a common focus.” MST focuses on the capability of media to support synchronicity. For Liam Cole Young, such attempts at triadic thinking highlight the importance of imagination, conceptual modelling, speculative thinking and experimental writing to media theory. Taking the early 20th Century Blast Manifesto of the British Vorticist movement as her starting point, for example, Jane Birkin shows how the manifesto can be considered as a material object that makes declarations in form as well as content. Hanson, Ralph. Aware of its own mediation as an online and open access journal, Media Theory will aim to be a journal that is both recognisably an academic journal, by paying heed to scholarly conventions, as well as something new, by challenging those conventions and what we have come to expect an academic journal to be. This theory sees audiences as playing an active rather than passive role in relation to mass media. For Media Theory, to theorise is therefore to ‘make, adapt, stretch and compact distinctions between terms that are generally familiar’ (Baehr, 2000: xix), to ‘dismantle’ traditions (Baehr, 2000: xlv), to ‘flush out assumptions’ (Kendall and Wickham, 1999: 30), to reconstruct the genealogy of theorisations and to reveal the ‘dissension of things’ (Foucault, 1977: 142); it is the “never-finished task and vocation of undermining philosophy as such, of unravelling affirmative statements and propositions of all kinds” (Jameson, 2009: 59). Scholars have developed many different approaches and theories to figure this out. 2.1 Normative media theory. These theories do not necessarily give an all-encompassing picture of media effects but rather work to illuminate a particular aspect of media influence. For this launch issue of the journal, editorial and advisory board members were invited to set out their own views on the importance of (a new journal of) media theory. 1.2 Intersection of American Media and Culture, 1.5 The Role of Social Values in Communication, 3.3 Books and the Development of U.S. Popular Culture, 4.3 Different Styles and Models of Journalism, 4.4 How Newspapers Control the Public’s Access to Information and Impact American Pop Culture, 4.5 Current Popular Trends in the Newspaper Industry, 5.3 The Role of Magazines in the Development of American Popular Culture, 5.4 Major Publications in the Magazine Industry, 5.5 How Magazines Control the Public’s Access to Information, 5.7 Influence of the Internet on the Magazine Industry, 6.3 The Reciprocal Nature of Music and Culture, 6.4 Current Popular Trends in the Music Industry, 9.2 The Relationship Between Television and Culture, 9.3 Issues and Trends in the Television Industry, Chapter 10: Electronic Games and Entertainment, 10.4 The Impact of Video Games on Culture, 10.6 Blurring the Boundaries Between Video Games, Information, Entertainment, and Communication, Chapter 11: The Internet and Social Media, 11.4 The Effects of the Internet and Globalization on Popular Culture and Interpersonal Communication, Chapter 12: Advertising and Public Relations, 13.3 The Internet’s Effects on Media Economies, 14.4 Ethical Considerations of the Online World, 15.7 Media Influence on Laws and Government, 15.6 Digital Democracy and Its Possible Effects, 16.1 Changes in Media Over the Last Century, 16.3 Modern Media Delivery: Pros and Cons, 16.5 Privacy Laws and the Impact of Digital Surveillance, 16.6 Mass Media, New Technology, and the Public. Rather, in emphasising ‘media’, ‘theory’ and ‘media theory’, the journal aims to deprovincialisemedia theory by bringing into dialogue and debate the diversity of ways in which media are theorised. Media logic affects institutions as well as individuals. For John W.P. By examining the motives behind the consumption of a particular form of media, researchers can better understand both the reasons for that medium’s popularity and the roles that the medium fills in society. In ‘The End of Ontology and the Future of Media Theory’, Phillips grapples with theoretical and philosophical attempts to “think things”, to “think the media” in terms of the physical existence of “the between”, and to think the way each media platform is “displaced by its own mediatic disruption”. Media Theory is thus both an academic journal on media theory, and an opportunity to self-reflexively critique and debate what media theory and academic journals are, have been and could possibly be. 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